While I'm not one of those rabid bloggers who thinks every last aspect of their lives is worthy of scrutiny, there is one thing I've been considering lately which definitely falls into the "mid-life (most would say tediously self-indulgent) metaphysical reassessment" cateogory.
I've recently purchased a GR-55 to go with the GK-3B on the bass, I'd been using the GR-20 on and off for years, with varying success - the tracking on the low B was always pretty suspect, but with a bit of judicious shifting you could play an octave up and get some great bass synth sounds out of it.
The GR-55 is a revelation by comparison - I've only gigged it once, but the fun I had creating sounds on it for that gig was great. The rig emerged as the bass POD and GR-55 as two sides, switched through a boss 2-way channel switcher. I used some synth sounds with modelled bass mixed in, which sounded great, but on some other tracks I wanted the regular sound of the bass - the GR-55 has a live direct feed of the unfettered bass pickup sound.
That last paragraph relates back to the title of this post. I lost myself for nearly 2 hours just... well, *playing* with settings and sounds! It was musical playtime at its' finest: directed, to try to find sounds for the songs we were playing (we did "moves like jagger" and I really wanted something like that inverted "waaaaaahp" on the original recording), but playful, with constant changes, like sculpting or painting, until I was happy enough with the solution.
Pure quality-led concentration: the best kind.
Trouble is, I'm getting that at work as well: this means I have 2 sides to my life, both of which are fulfilling and engaging - I literally have to tear myself away from work at the moment, it's great stuff.
I'm not trying to give myself the big up btw, or encourage trolls, etc. I'm going to have to schedule more playful music work - jams with Tony at PhatTone studios in Reading are a good start, had one week before last, we had a blast - some really cool funky lines, he laid some down on logic pro.
So I guess the moral is: love what you do, love your music: I appreciate I won't make anything like the money I make at work doing music stuff - these days, making money from music is frankly a pipedream unless you're a clinician, teaching, etc - so it becomes a job: enjoy being able to be playful while you can. Maybe work has its uses after all.